Bang On A Can – Music For Airports (Brian Eno) [VBR][Requested]

Music For Airports (Brian Eno)
Label: Point Music
Format: CD, Album
Country: US
Released: 1998
Genre: Classical, Electronic
Style: Modern Classical, Minimal, Ambient









-
Album requested by Walt.
You may request your album here.
-

One need not be a fan of Brian Eno's ground-breaking original, "Ambient 1: Music For Airports," to appreciate this exquisite rendition from Bang On A Can, a New York City-based outfit comprised of three classically-trained musicians: Julia Wolfe, David Lang and Michael Gordon. Eno's opus emerged as a textbook example of what has become quite an important genre: Ambient music. What this trio (heirs to another important genre: Minimal music) have accomplished is what might be both the simplest and the hardest task of performing other people's music: they offer their own voice without usurping Eno's original brilliant composition.

In an age of remixes, reworks, dubs and covers, Bang On A Can gently present an acoustic version of the original "loops & tapes" classic. Originally, Eno designed "Ambient 1: Music For Airports" to be continuously looped as a sound installation, with the intent to diffuse the tense, anxious atmosphere of an airport terminal. He conceived this idea while being stuck at Cologne Bonn Airport in Germany in the mid-1970s. Contrast that with the startling presence of Bang On A Can's simply-employed layered instrumentations, which rattle, pluck, drone and twitter expressively, whereas the quiet becomes the space for anticipation of the instruments. So, rather than the steady rolling pulse of Eno's modulations, the subtle use of guitar, winds and even pipa give Bang On A Can's cover a worldly feel that the original soars above. It may even be posited that Eno's original is best expressed indoors while this cover complements an outdoor setting. In fact, a 1998 performance of "Music For Airports" in Central Park serendipitously began with an airline jet passing overhead with an awed audience maintaining a respectful silence throughout the entire concert. In an interview with Lou Reed and Laurie Anderson regarding the fact that they had recently attended this performance, they said they were both moved to tears. Eno was later surprised to hear this, commenting that he had written the music to be without emotion, but that he was pleasantly surprised that people had been affected by the music many years after he had written it.

A succinct review from Steve Tignor distills this album endearingly: "Bang On A Can is an avant-garde ensemble playing the 1978 Brian Eno piece which put ambient music on the map. Eno's idea was to make a series of tape loops into tightly composed Muzak. He wanted a sonic backdrop for bland public spaces that would reward close listening. Bang on a Can, playing acoustic and electric instruments, breathe life into it, making the music's neutrality seem coldly beautiful. The piece is divided into four parts, each consisting of a few gentle, minimal figures, calmly repeated and shifted. Rhythm is eliminated and time seems to stretch. What is revealed is the sensuousness possible in a single note. Music has never been the same. This is the best place to hear where it changed."

Review by Walt [http://www.thisismyjam.com/walt.brown]

Password: airplane

Click here to get what you want

(don't forget to comment if you like it)

Nick Drake – Pink Moon [MP3][320]

Pink Moon
Label: Erased Tapes Records
Format: Vinyl, LP, Album
Country: UK
Released: 1976
Genre: Rock
Style: Folk











-
A classic. That's what I say about this album.
-



Nick Drake was an unknown soldier in the 1970s. Blending lush orchestrations with a bluntly emotional voice, his music would although at the time not become popular, grow to be some of the most influential music of the haven that the ‘70s were for originality. Singer/Songwriters are pretty universally enjoyed; I mean who doesn’t like ‘Flake’ by Jack Johnson or ‘Say Yes’ by Elliott Smith. Usually you’ll find that huge Cryptopsy/Spiral Architect fan talking about how whenever he needs to calm down he throws on Damien Rice’s ‘O’. Well, most of these artists owe their ideas to Nick Drake’s ‘Pink Moon’. Sitting next to Talk Talk’s ‘Laughing Stock’ as one of the most emotionally barren and gorgeous sounding records of all time, Pink Moon encompasses the feelings of despair and isolation so effortlessly it’s a wonder it isn’t more widely respected and known than it is. Although I’m a big fan of the acoustic meanderings of most singer/songwriters, I do find myself usually becoming bored with the sheer playing inability in most of these artists, but with Nick Drake this problem is nowhere to be found. His unique and technical ability behind a guitar is astounding and highly compliments his very ethereal vocals. While some people tend to dwell on the suicide he supposedly committed, I try to remember Nick Drake not for the actions he transpired, but for the wonderful timeless music he created.

‘Pink Moon’ has a cast of ten very similar songs. All of the songs are formed between only two instruments, Nick’s guitar and vocals, except for the title track which features some haunting piano melodies. Most of the songs are done in a way that makes them mildly upbeat and beautiful, but the occasional gloomy dark song is experimented with on the album in the form of ‘Things Behind the Sun’ and ‘Parasite’. While the lyrical messages behind most of the songs are typically depressing affairs, this topic only seems to soak through into the actual musical half of the album in the two dark songs. ‘Pink Moon’ is mostly concentrated in the genre of Folk with most of the songs blending together stylistically, but tracks like ‘Know’ which is based around an extremely simple guitar line and the short interlude ‘Horn’ help make the album more interesting and seem less repetitive. Nick’s voice is very unique in itself due to the fact it has a deep yet very soothing, beautiful sound. Whereas most singer/songwriters reach their moments of beauty with the falsetto sound, Nick like Jeff Buckley on his album ‘Grace’ is able to exude emotion in various ranges of his voice, which also helps establish striking differences in the ten tracks on this album. All in all, the tracks on this album are similar yet different, but always rewarding. Few tracks stand out, because they are all excellent by my personal favorite would have to be ‘Things Behind the Sun’ just because of how elegantly depressing it is. Every song can serve the dual purpose of either being, light and relaxing, or tense and emotional depending on how the listener is relating to it.

‘Pink Moon’ is a simple album made by a talented man that any musician or music listener should enjoy. The accessibility to this album is simple, because it is always representing an emotion or feeling that anyone can relate too. While the album does have some depressing undertones, like most popular music Nick Drake is able to make a musically upbeat and happy sounding song out of what were most likely some of his darkest feelings. This ability to make an accessible, moving piece that is both filled with despair and hopefulness is what makes ‘Pink Moon’ such an everlasting and excellent piece of work. It’s really an album anyone can pick up and really enjoy whether you are a metal, rap, or indie fan and that is where the perfection lies in it.

Review by Sputnik Music [http://www.sputnikmusic.com/review/6718/Nick-Drake-Pink-Moon/]

Password: green

Click here to get what you want

(don't forget to comment if you like it)

Sinoia Caves – The Enchanter Persuaded [MP3][320]

The Enchanter Persuaded
Label: Brah Records
Format: CD, Album
Country: US
Released: 2006
Genre: Rock, Electronic
Style: Progressive Rock, Ambient








-



The Enchanter Persuaded, the debut album from Black Mountain keyboardist Jeremy Schmidt (billed here as Sinoia Caves), is a nice example of the early-21st century's fascination with synthesizers. Unlike his contemporaries, who tend to echo new wave acts, Schmidt draws inspiration from a different pack of synth gods -- bands that boasted cosmic monikers like Tangerine Dream and Hawkwind, musicians who wielded their Moogs and Mellotrons like mighty swords. And as such, this album shouldn't be viewed as a particularly innovative work but rather as an adept tribute to the analog wizards of the mid-'70s and early '80s. The standout tracks here are the soundscapes, which echo Tangerine Dream's Phaedra both in terms of the vast aural territory covered and in terms of actual length. "Dwarf Reaching the Arch Wonder" and "Sundown in the New Arcades (Milky Way Echo)" make for over half an hour of galactic terrain built on sheet after sheet of analog synth and Mellotron effects. There's a definite sense of composition here; every whoosh and drone serves the structure, and Schmidt does a good job of keeping these sprawling compositions under tight rein. Shorter, acoustic guitar and vocoder-knit tracks like "Naro Way" and "Through the Valley" are a nice break from the epic stuff going on elsewhere, and they'll probably draw more than a few comparisons to some of the tracks on Air's 10,000 Hz Legend. From the druggy green cover art right down to the humid, slightly grimy production, The Enchanter Persuaded is a convincing period piece, not to mention a fitting showcase for Schmidt's impressive synth sorcery.

Review by allmusic [http://www.allmusic.com/album/the-enchanter-persuaded-mw0000451923]

Password: synth

Click here to get what you want

(don't forget to comment if you like it)