Hello guys.
I've been out of time these last months.
Next week I'll be officially back.
Stay tunned.
Thursday, March 22, 2012
Wednesday, January 18, 2012
Carbon Based Lifeforms - Interloper [MP3][320]
Interloper
Label: Ultimae Records
Format: CD, Album
Country: France
Released: 2010
Genre: Electronic
Style: Acid, Downtempo, Ambient, Chillout
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Carbon Based Lifeforms is one of the best ambient music composers I have ever crossed across. It's something studied, known, but in the same time it is natural, it's fucking well done, with nice melodies and frequencies that cross your brain side to side.
My favorite sequence starts with Euphotic. If you get trapped by Euphotic melodies, the album will end very fast. The combo Euphotic - Frog - M is my favorite ambient combo sound ever. This is not my favorite album from Carbon Based Lifeforms but it's certainly a ambient/natural sound masterpiece.
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I was highly anticipating this release and a little sceptical if the
Carbon Based Lifeforms would be able to achieve a high level again such
as in "World Of Sleepers".
Trust me, they did.
They announced they experimented a little more with guitars and vocals this time so I was even more worried that they may be losing their style. But it turns out to be at an absolutely minimum scale and fits very very well.
The sounds they arranged this time are mindblowing and for me personally even more sound-of-the-universe-level.
I have listened to it as much as I could since the release and I am always discovering more electronic details. If I had to pick a favourite track (which will probably change from time to time),
right now it would be "Supersede". You may be reminded of "Epicentre" when listening to it but they gave it such a unique touch which makes it an absolutely epic arrangement.
The overall feeling is very intense yet peaceful. They put so much love in this album, it is worth every cent!
For me it is the release of 2010 so far.
Trust me, they did.
They announced they experimented a little more with guitars and vocals this time so I was even more worried that they may be losing their style. But it turns out to be at an absolutely minimum scale and fits very very well.
The sounds they arranged this time are mindblowing and for me personally even more sound-of-the-universe-level.
I have listened to it as much as I could since the release and I am always discovering more electronic details. If I had to pick a favourite track (which will probably change from time to time),
right now it would be "Supersede". You may be reminded of "Epicentre" when listening to it but they gave it such a unique touch which makes it an absolutely epic arrangement.
The overall feeling is very intense yet peaceful. They put so much love in this album, it is worth every cent!
For me it is the release of 2010 so far.
Review by SpaceAgeHero [http://www.discogs.com/user/SpaceAgeHero]
Password is fixed!
Password is fixed!
Password: nature
Grouper - A I A : Dream Loss [MP3][320]
Label: Yellow Records
Format: Vinyl, LP, Album
Country: US
Released: 2011
Genre: Rock
Style: Experimental, Drone, Ambient
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The tools Liz Harris uses to make music as Grouper tend to be pretty basic: piano, guitar, synths, drones, hiss, and lots of reverb. If you've been following along with the twists and turns of noisy ambient music these last few years, this collection of elements may sound familiar, possibly bordering on cliché. But it's all in how you fit the pieces together. Despite sharing characteristics with a lot of other current music, Harris' has a distinctive sound that she pretty much owns. These short LPs, released at the same time and that share an overall aesthetic, sound beamed in from another realm, and they also sound like they could have come from no one else.
Part of the distinctiveness can be traced to Harris' voice, which floats above the music and can sound delicate and shrouded and mist and can also evince an approachable earthiness. Particularly on Alien Observer, she layers her voice in a way that occasionally brings to mind Julianna Barwick, but Harris sounds comparatively distant and less immersive. Her voice haunts these songs instead of leading them; it's a presence and not a personality, and the voice and instruments are in balance, serving each other without any one element becoming more prominent.
The other aspect that sets Grouper apart is an approach to sound that feels somehow both cruder and more sophisticated than the majority of the lo-fi crop. It's crude in the sense that it seems to hearken back to the dark, home-recorded songs of an earlier era. David Pearce's music as Flying Saucer Attack, recorded mostly during the 1990s, was often referred to as "rural psychedelia," and that description would fit this pair of records. This music feels both spacey and expansive and also oddly intimate and grounded, the work of someone who has mastered her tools and knows how to get the most out of them. The sophistication comes from the care in presentation. This music doesn't sound like it was built from mistakes or thrown together, it seems precisely ordered and arranged even while it's often muffled and warbly and distorted. Every sound exists for a reason.
Full review and more please follow this link [http://pitchfork.com/reviews/albums/15332-a-i-a-alien-observer-a-i-a-dream-loss/].
Password: drone
Sunday, January 01, 2012
Nick Drake - Bryter Layter [320][MP3]
Bryter Layter
Label: Island Records
Format: Vinyl, LP
Country: UK
Released: 1970
Genre: Rock
Style: Folk, Indie, Folk Rock
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Nick Drake was without a doubt an underestimated genius. Underestimated not by others, but by himself. He was a man of recluse and low self-confidence. He always thought he wasn’t talented musically, and it puzzles many how he could even think of himself as un-talented, nevermind actually believing it.
One would have no idea that he thought of himself like that after listening to Bryter Layter. This was probably his most orchestrated album, containing not only his soft-spoken voice, guitar and violin but also drumming, bass, piano and a brass instrument here and there (Such as the saxophone in 'At the Chime of a City Clock') even going so far to include a xylophone during the song 'Northern Sky'. He definitely went all out on this album and it really shows.
Even with the use of so many wonderfully arranged instruments, it still seems simplistic enough to be a nice calming listen, but while retaining enough depth so not to come off as boring or repetitive. But when it comes down to it, what do people end up listening to? That’s right, his sweet 'gentleman' tone of voice and his amazing finger picked guitar playing.
Songs like 'One of These Things First' are easily a prime example of this, when ever you listen to it, you’ll initially be in awe of the majestic piano but by the end your attention always wanders back to Drake’s soothing voice and melodic guitar playing. Not only does his voice leave such as an impression, the lyrics he sings always have a very nice message.
Take 'Hazey Jane I' for example, a song the seems like it’s about a woman so infatuated with a man that she passes by on so many other things in life she could be enjoying. But for some reason these songs never come off as being too depressing, unlike a lot of his other work. Again, this is probably contributed to the fact that the other instruments he experimented with on this album give it more of an upbeat feeling, no matter what the subject matter is.
However, these lyrics and messages are vital, mainly because one of the only let downs on the album (and it’s not really THAT big of a let down) is the title track, 'Bryter Layter'. This instrumental track, clocking in at 3 minutes and 22 seconds sounds slightly dated and sounds like a cheesy intermission tune. Compared to the brilliant songs before and after ('Hazey Jane I' and 'Fly' respectively) it comes of as being a little bit of a filler track, but its intended purpose was probably just for him to experiment on an instrumental song, and just try something out of the ordinary.
Even more out of the ordinary is the 6 minute song, 'Poor Boy'. Easily one of the most epic songs in all of Nick Drake’s relatively short career it truly is a masterpiece. Using choir vocals in the chorus, and his own voice during the verses. It also features such wonderful arrangements for saxophone, piano and guitar.
'Sunday' is really the perfect way to close out an album, a calm flute melody played over a brilliant sounding guitar and later on, an organ. It just puts the whole album in perspective, despite it not being as powerful as the other songs on the album.
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This review belongs to sputnikmusic.com [http://www.sputnikmusic.com/review/8049/Nick-Drake-Bryter-Layter/]
Saturday, December 31, 2011
Nintendo - The Legend Of Zelda 25th Anniversary Soundtrack [320][MP3]
Label: Nintendo of Europe
Format: CD
Country: Europe
Released: 2011
Genre: Classical, Stage & Screen
Style: Soundtrack, Contemporary
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I love Zelda. It's my favorite game ever. I purchased Zelda Skyward Sword and got this awesome Soundtrack CD included in the game case. I ripped it to MP3 320Kbps and now it's here. Enjoy!
Password: link
Wednesday, December 07, 2011
The Rapture - Pieces Of The People We Love [MP3][320]
Pieces Of The People We Love
Label: Universal Motown
Format: CD
Country: US
Released: 2006
Genre: Electronic, Rock
Style: Indie Rock, Disco, Electroindie
It's been three years since The Rapture's full-length debut, Echoes, arrived on the tail end of the early aughts dance-punk mini-craze, seeming to bridge a gap between that now defunct genre's more electronic sound and the emerging guitar-based indie rock. Now, along with LCD Soundsystem and !!!, The Rapture stand at the top of this strangely wonderful hybrid of clubby dance music and a catchy bar band indie stomp. Pieces Of The People We Love consolidates this cross-pollination, deepening both of the influences, usually to good effect. Certainly, the album's best cuts, like "Don Gon Do It" and "Whoo! Alright-Yeah…Uh-Huh", find just the right balance between nervous, Talking Headsy indie-funk-pop workouts and dancefloor-filling, DJ-pleasing, hip-shaking dance tracks. A few songs seem to ride off on tangents, keeping the disc from being excellent. Still, Pieces Of The People We Love is a great record and will keep your body moving without making you feel like you're giving your brain the day off. Now that's a nifty trick.
It's been three years since The Rapture's full-length debut, Echoes, arrived on the tail end of the early aughts dance-punk mini-craze, seeming to bridge a gap between that now defunct genre's more electronic sound and the emerging guitar-based indie rock. Now, along with LCD Soundsystem and !!!, The Rapture stand at the top of this strangely wonderful hybrid of clubby dance music and a catchy bar band indie stomp. Pieces Of The People We Love consolidates this cross-pollination, deepening both of the influences, usually to good effect. Certainly, the album's best cuts, like "Don Gon Do It" and "Whoo! Alright-Yeah…Uh-Huh", find just the right balance between nervous, Talking Headsy indie-funk-pop workouts and dancefloor-filling, DJ-pleasing, hip-shaking dance tracks. A few songs seem to ride off on tangents, keeping the disc from being excellent. Still, Pieces Of The People We Love is a great record and will keep your body moving without making you feel like you're giving your brain the day off. Now that's a nifty trick.
Labels:
2006,
Electroindie,
Electronic,
Indie,
Rock,
The Rapture,
US
Sunday, November 20, 2011
Boards of Canada – A Few Old Tunes Vol.2 [Cassete][MP3][VBR][Very Rare]
A Few Old Tunes Vol. 2
Label: Music70
Format: Cassette
Country: UK
Released: ?
Genre: Electronic
Style: IDM, Downtempo, Ambient, Dark Electronic
That tiny room at the beach was absolutely the perfect place for my first time. When we came together, I could feel the hairs growing on my chest. I saw my future. I saw my past.
For a few minutes it was like being alive. They lived happily ever after. All my questions had been answered. All my fears disappeared. All that was left was a kiss. Every move we made was a kiss.
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Ok, I'm jealous of sharing this with you. This is a ultra rare release that I can't even remember where I got it. It's the real cassete rip of a unreleased album. Still, it's one of my favorite albums ever. The album ambient is dark, low ending music with lots of dark textures and black-and-white feeling, low-frequency background and a nice Boards of Canada feeling.
Tip: listen to Sir Pracelot Brainfire in the morning!
Hope you enjoy it.
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Password: sky
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