Showing posts with label 1976. Show all posts
Showing posts with label 1976. Show all posts

Sunday, September 02, 2012

Nick Drake – Pink Moon [MP3][320]


Pink Moon
Label: Erased Tapes Records
Format: Vinyl, LP, Album
Country: UK
Released: 1976
Genre: Rock
Style: Folk











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A classic. That's what I say about this album.
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Nick Drake was an unknown soldier in the 1970s. Blending lush orchestrations with a bluntly emotional voice, his music would although at the time not become popular, grow to be some of the most influential music of the haven that the ‘70s were for originality. Singer/Songwriters are pretty universally enjoyed; I mean who doesn’t like ‘Flake’ by Jack Johnson or ‘Say Yes’ by Elliott Smith. Usually you’ll find that huge Cryptopsy/Spiral Architect fan talking about how whenever he needs to calm down he throws on Damien Rice’s ‘O’. Well, most of these artists owe their ideas to Nick Drake’s ‘Pink Moon’. Sitting next to Talk Talk’s ‘Laughing Stock’ as one of the most emotionally barren and gorgeous sounding records of all time, Pink Moon encompasses the feelings of despair and isolation so effortlessly it’s a wonder it isn’t more widely respected and known than it is. Although I’m a big fan of the acoustic meanderings of most singer/songwriters, I do find myself usually becoming bored with the sheer playing inability in most of these artists, but with Nick Drake this problem is nowhere to be found. His unique and technical ability behind a guitar is astounding and highly compliments his very ethereal vocals. While some people tend to dwell on the suicide he supposedly committed, I try to remember Nick Drake not for the actions he transpired, but for the wonderful timeless music he created.

‘Pink Moon’ has a cast of ten very similar songs. All of the songs are formed between only two instruments, Nick’s guitar and vocals, except for the title track which features some haunting piano melodies. Most of the songs are done in a way that makes them mildly upbeat and beautiful, but the occasional gloomy dark song is experimented with on the album in the form of ‘Things Behind the Sun’ and ‘Parasite’. While the lyrical messages behind most of the songs are typically depressing affairs, this topic only seems to soak through into the actual musical half of the album in the two dark songs. ‘Pink Moon’ is mostly concentrated in the genre of Folk with most of the songs blending together stylistically, but tracks like ‘Know’ which is based around an extremely simple guitar line and the short interlude ‘Horn’ help make the album more interesting and seem less repetitive. Nick’s voice is very unique in itself due to the fact it has a deep yet very soothing, beautiful sound. Whereas most singer/songwriters reach their moments of beauty with the falsetto sound, Nick like Jeff Buckley on his album ‘Grace’ is able to exude emotion in various ranges of his voice, which also helps establish striking differences in the ten tracks on this album. All in all, the tracks on this album are similar yet different, but always rewarding. Few tracks stand out, because they are all excellent by my personal favorite would have to be ‘Things Behind the Sun’ just because of how elegantly depressing it is. Every song can serve the dual purpose of either being, light and relaxing, or tense and emotional depending on how the listener is relating to it.

‘Pink Moon’ is a simple album made by a talented man that any musician or music listener should enjoy. The accessibility to this album is simple, because it is always representing an emotion or feeling that anyone can relate too. While the album does have some depressing undertones, like most popular music Nick Drake is able to make a musically upbeat and happy sounding song out of what were most likely some of his darkest feelings. This ability to make an accessible, moving piece that is both filled with despair and hopefulness is what makes ‘Pink Moon’ such an everlasting and excellent piece of work. It’s really an album anyone can pick up and really enjoy whether you are a metal, rap, or indie fan and that is where the perfection lies in it.

Review by Sputnik Music [http://www.sputnikmusic.com/review/6718/Nick-Drake-Pink-Moon/]

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Saturday, November 05, 2011

Boston - Boston [MP3][320]


Boston
Label: Epic
Format: LP
Country: US
Released: 1976
Genre: Rock
Style: Arena Rock, Pop Rock, Hard Rock







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Another album that changed my life. When I was a teen I listened heavily to this album, Pink Floyd and some other psychedelic bands. Worth every track.

MP3 ripped from pure FLAC.
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Tom Scholz started off jamming in a makeshift band that included drummer Jim Masdea, lead guitarist Barry Goudreau, and vocalist Brad Delp. Unsatisfied with the live sound, the perfectionist Scholz disbanded the act and instead made demos in his home studio with Delp on vocals and Masdea on drums. The demos eventually attracted the attention of Epic Records.

Scholz was satisfied with the demos to the point that he wanted to finalize them to a real album. Unfortunately, Epic declined. "The material had to be recorded in a 'professional' studio in exactly the same way!" Scholz later wrote. Scholz insisted on doing the re-cuts in his basement. Epic producer John Boylan, who had worked with the Little River Band among many others, made a deal with Scholz. Boylan would have the rest of the makeshift band record some studio arrangements in Los Angeles, to "create a diversion" while Scholz made his multitrack recordings at home.

Most of the instrumentation was performed by Scholz and recorded at his basement studio in Massachusetts, After Scholz recorded the instrumentation the tracks were then transferred from his 12 track tapes to a 24 track machine in a remote recording truck outside his basement studio to make them compatible with standard professional studio equipment. Delp's vocals were then recorded at Capitol Studios in Hollywood with producer Boylan. The album was then mixed by Scholz, Boylan and Warren Dewey at Westlake Audio in Los Angeles.

Drummer Sib Hashian plays on all but "Rock & Roll Band", and only two tracks feature the contributions of Goudreau and Fran Sheehan, "Foreplay/Long Time" and "Let Me Take You Home Tonight". This quintet would perform and tour under the name Boston.


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